FacultyBack to top
Associate Professor; Director of Undergraduate Studies
European literature of the long nineteenth century; European modernism; Kierkegaard and German idealism; tragedy and the tragic; philosophical aesthetics and literary forms
Professor (secondary appointment: Department of Philosophy); Director of Graduate Studies
Modern and contemporary French Philosophy, American Pragmatism and Skepticism, Phenomenology, Philosophy and Cinema, Feminist and Queer Theory.
Anne Eakin Moss
Russian literature and cinema
Nineteenth and Twentieth-Century Literature and Philosophy, the Novel, Modernism, Existentialism, Ethics and Justice in Contemporary Anglophone Literature.
Adjunct Associate Professor
History and theory of psychoanalysis, psychology, and psychiatry; medical humanities and the sociology of knowledge; psychoanalytic aesthetics, Melanie Klein
Senior Lecturer; Director, Great Books at Hopkins
Women Writers of the Renaissance and Reformation, with a research emphasis on post-Reformation English Catholicism
Hent de Vries
Professor, Russ Family Chair in the Humanities; Director, Humanities Center
(secondary appointment: Department of Philosophy)
Modern European thought, history and critique of metaphysics, philosophies of religion, political theologies, concepts of violence, literature and temporality.
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PCD Postdoctoral Fellow
Nils F. Schott
James M. Motley Postdoctoral Fellow in the Humanities
The eighteenth century and its legacies in the twentieth and twenty-first centuries, philosophy and religion, philosophies of time
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PCD Senior Fellow
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Literary and philosophical modernism; Nietzsche and critical theory; Joseph Conrad; postcolonial literature; theories of mimesis and of the unconscious
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Anita LaFrance Allen
Henry R. Silverman Professor of Law and Professor of Philosophy, University of Pennsylvania
Director of research at the CNRS, director of the Léon Robin Center for Research on Ancient Thought, and President of the Collège International de Philosophie
Professor of Philosophy, Birkbeck College University of London
LeRoy T. and Margaret Deffenbaugh Carlson University Professor, Chair of the Department of Germanic Studies and director of the Center for Interdisciplinary Research on German Literature and Culture at the University of Chicago
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Professor Emeritus of the Humanities and Academy Professor, Johns Hopkins University
J. R. Herbert Boone Chair in the Humanities
Professor Emerita of the Humanities and Academy Professor, Johns Hopkins University
Henry Wiesenfeld Professor of Humanities
Richard A. Macksey
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Sir William Osler Professor of English (English): Early modern literature, poetry and poetics, gender
Charles Homer Haskins Professor, Classics and German and Romance Languages and Literatures
Krieger-Eisenhower Professor (Anthropology): Feminist Movements, gender studies, sectarian violence, Medical Anthropology, post-Colonial and post-Structural theory; South Asia, Europe.
Professor (Philosophy): Metaphysics, history of philosophy, Kant and German idealism.
Professor (Philosophy): Early Modern Philosophy; German Idealism; Metaphysics; Time; Humanism and its Critiques; Medieval Jewish Philosophy and Rabbinics
Associate Professor, Felix Posen Chair in Modern Jewish History (History): Modern Jewish history; history of Israel; Russia, Poland, and Eastern Europe; Jewish political thought; Hebrew and Yiddish literature and culture; history and sociology of nationalism; theory and practice of cultural history; history of the cultural sphere
Professor (English): American literature, aesthetic theory, poetry and poetics, the history of sexuality
James M. Beall Professor of French (German and Romance Languages): 19th Century French Literature
Krieger-Eisenhower Professor (History): Medieval history, with special interest in historiography and linguistic analysis
Professor (GRLL): Modern German literature and thought, literary theory, poetics of knowledge
Assistant Professor (History of Art): European and North American art and critical theory from early twentieth-century modernism to the present
Krieger-Eisenhower Professor (Philosophy): Epistemology; philosophy of language; history of modern philosophy
Associate Professor (Classics): Ancient Greek literature and thought, archaic and classical sociocultural history, historical and comparative anthropology, Greek epigraphy and papyrology. firstname.lastname@example.org
StaffBack to top
Senior Administrative Coordinator
Johns Hopkins University
3400 North Charles Street
Baltimore, MD 21218
Librarian for Digital Scholarship, the Humanities Center, and German and Romance Languages and Literatures
Milton S. Eisenhower Library
Johns Hopkins University
Graduate StudentsBack to top
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Sara El Amin
I studied Mathematics and Philosophy. I did my masters in Contemporary Philosophy at Paris I Sorbonne University. Interests: Philosophy of language, Existentialism, the use of language in literature and philosophy; Wittgenstein, Nietzsche, Schopenhauer, Foucault, Derrida. I also like doing realist theatre.
Lucy Bergeret completed her Master's in contemporary philosophy on James Joyce’s Ulysses and the works of William James at the University of Paris 1 Sorbonne in 2010. She is interested in the links between ethics and literature. Her research focuses on the works of Martha Nussbaum and Iris Murdoch, especially with regard to the ethical implications of the twentieth-century novel.
Katie Boyce-Jacino's dissertation, "'To the Planetarium': Modernity, Cosmology, and Representation in the Weimar Republic," is a cultural and intellectual history of the planetarium in its first decades. It considers the planetarium as both a scientific institution as well as a spectacular, engrossing part of the urban cultural landscape of interwar Germany. Research Interests: cultural history of astronomy in the 20th century, history of fashion, history of modernity, feminist and queer theory
Martijn Buijs studied philosophy and English literature at the Universiteit van Amsterdam before coming to Johns Hopkins in 2010. His research is concerned with philosophy in its relation to religion (the mystical tradition, negative theology, 20th-century Jewish philosophy) and to literature (German Idealist aesthetics, philosophy of tragedy). He is preparing a dissertation on the subject of revelation in Schelling's late philosophy. In addition, he has translated a collection of essays by Giorgio Agamben into Dutch and is currently writing a small book on the same author.
Interests: the critique of culture and metaphysics in Nietzsche and Heidegger, and its heritage in German Romanticism (Herder) and Counter-Enlightenment philosophy and literature (Hamann, Spengler, Jünger, Celine...); ontology of technology; aesthetics and phenomenology
Interests: the history of western scholarly practices, especially since the advent of the university; intellectual disciplinarity as a philosophical problem; Romantic thought and literature; Vico, Goethe, Heidegger, Auerbach.
Misha Davidoff studies philosophy.
Elena studied Italian and Comparative Literature in Milan, Berlin and Siena. She has written on Erich Auerbach’s theory of literary representation and on figural images in the poetry of Baudelaire and Rilke.
Her current research examines the figure of the transparent human throughout the literary and cultural history of modernity, particularly its epistemological implications and questions of corporeality.
Interests: medieval and modern philosophy, especially the questions of novelty and creation.
Interests: Poetry and the visual arts in the 19th and 20th centuries; print culture, manuscript studies, and critical bibliography; originality and sincerity; conceptions of modernism and the avant-garde; Mina Loy and Emily Dickinson.
Scott Gottbreht's work focuses on the interdisciplinary intersection of literature, philosophy, and political theory. His interests include theories of empowerment, violence, and oppression. He has taught courses on urbanity and sexual empowerment, and his dissertation research centers around the promises and pitfalls of anonymous social advocacies as strategies of resistance and forces of domination.
Alexander Host is interested in ideas about normativity and aesthetics, particularly as they appear in German philosophy (primarily Kant, Hegel, and Nietzsche) and post-Wittgensteinian philosophy (primarily Cavell). Other favorites include Dostoevsky, Proust, Heidegger, and Arendt.
Jacob works on 19th and 20th Century European philosophy, focusing on the relationship between language and metaphysics. His interests include the phenomenological tradition (Husserl, Heidegger, Merleau-Ponty), 20th Century German-Jewish thinkers (Benjamin, Rosenzweig, Scholem), and the reception of Heidegger in France. Jacob is also interested in fin-de-siècle French literature and its philosophical undercurrents.
Michael studied Philosophy and Literature at Duke University and worked in international education before joining the Humanities Center in 2016. He is interested in the dialectical relationships between the traditional and the "modern" and between the natural and the conventional, especially as brought out by political economy as inspired by Marx, educational theory as pursued by Freire, existentialist literature as anticipated by Dostoevsky, and everyday philosophy as imagined by Wittgenstein and Cavell.
Having started out as a freelance translator, columnist, and essayist, I studied German language and philosophy outside the academy, like many others of my generation. I have co-translated, among others, Adorno and Horkeimer's Dialektik der Aufklärung, Giorgio Agamben's Means Without End, and essays by Walter Benjamin into Farsi.
Interests: the Frankfurt School; German Romanticism and theories of Bildung; Marx' theory of critique and historiography; biblical theology; theory and practice of translation; emancipatory politics; the Iranian experience in contemporary poetry (esp. Nima Yushij); Bertolt Brecht as a contemporary of Benjamin.
I am interested in time and timelessness as key interdisciplinary concepts. Since these concepts shape creative activity in areas as different as art, philosophy, science, and religion, their study plays an important role in understanding how meaning is created in each of these fields and points to revealing similarities between these areas. My ultimate intent is to write about how a philosophical revision of our conceptions of time and timelessness would contribute to physicists' current pursuit of a theory of everything. Other interests are gender studies, philosophy of music, and Brazilian literature and criticism. I also write and record music and perform at local venues.
Interests: Modern European philosophy and intellectual history with particular focus on the intersections of existentialism, phenomenology, and psychoanalysis. In terms of subject matter, I am especially interested in the history and theories of the affects and the ontological and ethical problems of repetition, temporality, intention, and habit. My research examines the religious origins, philosophy, and psychology of anxiety and boredom in the context of the history of secularization, the sociology of modernity, and the differentiation between the normal and the pathological.
Interests: philosophies and literature of music (Kierkegaard, E.T.A. Hoffman, Hermann Broch, Thomas Mann, Adorno), optical illusions and pre-cinema (Werner Nekes), film (soviet comedy, Georgi Daneliya, Tarkovsky, Kalatozov), Andrei Bely, Kierkegaard and Heidegger.
Interests: Nineteenth- and twentieth-century European literature, modernism, nineteenth-century Ottoman intellectual history, ethics, secularism
Interests: Modernist novel; modernist aesthetics; comparative modernisms; ordinary language philosophy, particularly concerning failures of communication and language in interwar Anglo-American and Soviet traditions; question of the subject and community in modernist literature.
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Interests: Philosophy and aesthetics in the modern novel; theories of violence and subjectivity (specifically ideological radicalization as an outgrowth of developmental processes of narcissistic identification); the psychoanalytic dimensions of religious experience, Joseph Conrad, Herman Melville, American and French Literature.
Interests: Philosophy and 21st century American popular culture; the value of storytelling; identity and ethics in media; gender studies, particularly intersectional feminist and queer moral theory
Interests: Continental philosophy and political philosophy, focusing on thinkers like Heidegger, Arendt, Foucault, Derrida, Levinas, Schmitt, Habermas, and Isaiah Berlin and on issues such as modernity and its critiques, post-colonial nationalism, political theology, political violence and social exclusion, 20th-century anti-totalitarian thinking and the intellectual origins of totalitarianism.
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ENS Visiting Student 2016/2017
Valentin Leroy completed a Master's in ancient philosophy at Paris I Sorbonne University on Aristotle and his commentator Alexander of Aphrodisias. He is also interested in French contemporary philosophy and Marxism, especially regarding the notion of criticism.
PCD Global Humanities Junior Fellow 2016
Hannah Wallenfels holds a BA degree in political science and philosophy from Albert-Ludwigs-Universität Freiburg. Her main area of research is political philosophy and theory, focusing in particular on resistance, passivity theory and feminism. Her current research project revolves around the figure of Bartleby. Besides her academic pursuits, she works as an editor for the Berlin-based publishing house Merve.
Visiting Student 2016/2017
Yao Xiaoling is a PhD Candidate in the Division of English Literature at Nanyang Technological University in Singapore. Her research interests lie in twentieth century British literature, modernism, memory, narratology, and Joseph Conrad's works, in particular. Her dissertation will study Conrad's memory narratives with a view to the influences of unreliable storytelling on the process of memory, temporality and loss, as well as the dialectic relationships between forgetting and memory, between collected personal memory and collective historical memory. It further suggests that Conrad’s memory narratives are rooted in his literary impressionism and his understanding of the world as an unstable ontology.